Only God Forgives Imdb “Only God Forgives”: Neuer Trailer zum kommenden Film von Nicolas Winding Refn
Only God Forgives ist ein französisch-dänischer Thriller aus dem Jahr Der dänische Filmregisseur Nicolas Winding Refn führte Regie und schrieb das. Only God Forgives ist eine Weiterentwicklung, eine noch stärker verdichtete Interpretation, diesmal einer Familien-Rachestory. Es ist ein Werk. ellasitalia.eu - Buy Only God Forgives at a low price; free delivery on qualified orders. See reviews & details on a Only God Forgives () on IMDb. Bangkok. | ShockYa; Only God Forgives, The Heat, Paradise: Hope: this week's new films 03 August | The Guardian - Film News. See all related. Only God Forgives ein Film von Nicolas Winding Refn mit Ryan Gosling, Kristin Scott Thomas. Inhaltsangabe: Vor zehn Jahren tötete Julian (Ryan Gosling). The Prince - Only God Forgives ein Film von Brian A. Miller mit Jason Patric, Bruce Willis. Inhaltsangabe: "The Prince" nannte man Paul (Jason Patric) einst, als. Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film Only God Forgives. 90min. IMDB-Rating: / Alterskategorie: 16/ Kinostart CH-D:
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Only God Forgives - Trailer (HD) Ryan GoslingClear your history. Nominee Bodil. Nominee Palme d'Or. Nicolas Winding Refn. Nominee CinEuphoria. Winner Robert. Nominee Audience Award. Nominee Robert.
Nominee DFCC. Best Cinematography Larry Smith 6th place. Nominee Golden Schmoes. Nominee Golden Trailer.
Kristin Scott Thomas is great to watch and if you like gore there are some scenes you would enjoy but other than that What a waste.
Danish auteur Nicolas Winding Refn's first Hollywood picture Drive is one of the best films of the millennium, hands down. His Thailand-set revenge saga feels like a natural extension of that masterpiece, albeit a very boring and pretentious one.
Where Drive was slow-burning and enrapturing, OGF is slow and uninteresting; where Ryan Gosling's Driver was charismatic and compelling, his drug-dealing enigma here is dull and vacuous; Drive's violence was impactful and meaningful, the brutality in this is nasty and pointless.
There are, however, two shining lights that save this from being completely unwatchable. The neon-lit cinematography is simply stunning and quite often disguises the senselessness of what is actually going on, whilst the ballsy performance from Kristen Scott Thomas as Gosling's reprehensible white-trash mother is a terrific display of her versatility and deserving of a much better movie.
A missed opportunity that suggests Refn is a hit and miss prospect. If you like movies that have a very weak plot, many pointless scenes, the addition of dream sequences that add nothing to the plot and only confuse, characters that are not explained and which it is therefore very hard to care about, and many shots of the characters looking into the distance with little emotion on their face and seemingly little on their mind then this is the film for you.
I don't mind films that are unique and don't fit the usual Hollywood format but there are things that are essential to a good film such as interesting characters, a plot of some sort and some clue as to what is going on being given but those things are missing from this film.
I was so confused and mainly just bored throughout this film. I expected better things from Gosling. And I have enjoyed Refn's other films so I am not just a mainstream film lover only but this effort was just bad film making.
Like most art-house films, there are people that claim this to be a masterpiece and there are people that claim it's a god awful pile of trash. I find myself somewhere in between.
Right off the bat any viewer will notice that this movie looks fantastic. The cinematography is truly stunning. This alone earns some of my praise for the movie itself.
I wonder how many people would have claimed this a masterpiece if the directing and screenplay weren't so excellent.
The script really has nothing going for it and I hope we can all agree on that. There isn't very much dialogue, but when there is it's very dull and drab.
Nobody seems to truly want to be in this movie. Refn has slowly focused less and less on this throughout his career. I loved the dialogue in Bronson and it gave me a few laughs.
Drive was a step down but there were still some quotable phrases, but there was nothing intriguing about what anybody was saying here.
What I found most troubling about this movie was the fact that there wasn't much feeling put into it. There weren't any moments that I felt particularly happy, or even sad for that matter.
After an hour got by I really didn't care what happened to any of the characters. Now so far it seems as though I've been ripping this to shreds, but there are in fact some real positives in this.
Particularly the screenplay. It's hypnotic. The color palette fit the mood and it puts you in a trance. All of the scenery is very well thought out and it is one of the most beautiful films I have ever seen.
Overall, this movie would have been one of the greatest films of all time if Refn decided to add some emotion and humor. But instead we're stuck with a beautiful pile of mostly boring scenes.
In all honesty, it was a beautifully shot movie. I would have given it a 6 based on the cinematography. Refn really has been taking strides in the movies he shoots.
Ryan Gosling's acting was spot on too Drive, Valhalla Rising, etc. The main character only said a few lines, there was a woman involved pushing the plot forward in sort of expecting turns and the main character is trying to redeem themselves in some unrealistic way.
Honestly it wasn't the quiet actors or the bloody violence, those features actually enhanced the meaning of the movie more than an average movie goer would think.
I think it was how different the movie felt from regular movies. You kind of get the gist of what is going on in the movie, it was dark and full of mystery.
The imagery in the movie really made it worth watching. It was about a God-like figure exacting justice as he saw fit Vithaya Pansringarm and a man trying to avenge his brothers death Ryan Gosling at his mothers behest.
There were a few messed up scenes involving the mother that alluded to the molestation of her children, but as with the rest of the film you don't get a clear picture of what is really going on.
A few scenes that I found uncomfortable were the scenes with Chang Vithaya Pansringarm and his samurai sword, but also the scenes in which he was singing karaoke.
It was weird and unnecessarily long. His scenes were gruesome and violent. Other than that it was a quiet violent film that really made you think.
If you look down at your phone or decide to talk during a scene with actual dialogue you miss a good chunk of information about the movie.
There are few movies that I don't understand the first time that I watch them, and fewer like that, that I decide to never watch again at least for a long time.
This is a hard one. I really liked this movie in parts, and really didn't like it in other parts. Let's be clear, the cinematography is absolutely incredible.
Those vivid, neon lights that scream depravity, along with on the whole, awe-inspiring camera work. This is one of the best looking films I've seen in many years.
But all that glitters isn't gold. Unfortunately, what we have is a perplexing story. We have characters with little to no motivation in their actions.
The mother and son gangsters played Gosling and Scott Thomas want to avenge the death of their slain loved- one, but if only we could genuinely believe that.
Gosling, once again, shines brightly as an emotionless, cold-hearted psycho.. But this character doesn't work on the premise of being vengeful.
He's a puppet of his mother, we get that.. Scott Thomas as the mother is pretty much repugnant in all the wrong ways. She's a potty- mouthed little pig.
Again, it makes you wonder about the full motivation. The murderer of the brother, Chang, is probably the most fully realized character of the film.
He's a silent, blood- thirsty, unrelenting killer mob-boss, like a Thai version of Paul Cicero, with a black belt. Some of his scenes are magnificent.
But then, they have him singing in a Thai karaoke bar. A heavy handed reassurance to the audience that he is.. The film loses me again. Why did this keep happening?
I like this film, and there is much room for forgiveness in the end, but the effort doesn't all pay off.
This is a film incomplete. A rough cut. With a clearer story, an utter masterpiece could've emerged from this. TheNeel 8 December Nicolas Winding Refn's works are different, so you either like them or hate them.
Personally I love them. However this film is quite disappointing. The direction, art, music, editing and cast is awesome as always..
But the story kills the movie.. Sometimes its too dragged out even for a Refn movie.. But overall theme is quite ordinary and the script is just bad..
So if you can ignore a super slow paced story for almost 90 mins and appreciate everything else in the film you will find this to be a masterpiece.
I gave it a 6 because as an overall 'movie' its quite mediocre. Drive, the previous movie from director Nicholas Winding Refn and actor Ryan Gosling, utilised a deliberate and rather stilted style that not only resulted in a unique air of cool but which also had the effect of making the movie's explosive scenes of violence more impactful.
In Only God Forgives, Refn and Gosling repeat this sparing, slow-burn technique, but take it to the nth degree; this time around the effect is to completely bore the crap out of the viewer.
Quite simply, Only God forgives has got to be one of the most excruciating exercises in cinema it has ever been my misfortune to witness. Every pan, track or zoom is agonisingly drawn out, the camera movement often being almost imperceptible.
A good percentage of scenes comprise of corridors, or people not moving, or people moving very slowly, or karaoke performances slow songs, of course.
Virtually every scene is lit in either red or blue, which gets extremely irritating. Gosling's brooding expression remains the same throughout the entire film.
Conversations take an age to unfold. Minutes seem like hours. Hours seem like days. Time eventually loses all meaning. Even the film's few scenes of brutal violence are shot in such a way as to render them totally boring.
Art-house types will love the film or at least pretend to , finding hidden meaning and symbolism in its languorous plot and mind-bogglingly dull execution, but most right-minded people will quite rightly dismiss this for the utter garbage that it is.
The worst film ever made! Don't watch it , you will waste valuable minutes of your life if you think you'll be entertained by this awful film.
This movie was horrible. Every camera shot was self conscious and knew it was a camera shot. Every actor in this movie acted as if he knew he was in a movie.
Every time an actor walked by it was ultra-slow, as if the actor thought "this is how you walk in a movie.
It had to be slowly with profound gravitas. This movie was consummately pretentious with no reason to be. Every scene carried the message from the director "look how cool this scene looks!
Avoid this pretentious, arrogant, oblivious piece of cinematic veneer at all cost. An error has occured.
Please try again. Underrated films and obscure gems. European Movies. L-The Short List. Share this page:. I am not sure that it was even that believable.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another.
Perhaps these elements were supposed to fill the void. However it was not enough. Great performances from all the cast but even they couldn't save it.
At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious. Looking for some great streaming picks?
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A heavy handed reassurance to the audience that he is. After an hour got by I really didn't care what happened to any of the characters. Distinct allusions to David Lynch are apparent but these do not come off as derivative but rather as homage. Quotes [ first lines ] Julien : [ in Thai ] Go. Share Endgame Kritik page:. Sign In. The movie is in the can and is expected to arrive later this year in the fall. Art-house types will love the film or at least pretend tofinding hidden meaning and symbolism in its languorous plot Top Netflix Serien mind-bogglingly dull execution, but most right-minded people will quite rightly dismiss this for the utter garbage that it is. She might be the only good thing. Feb 6, - Only God Forgives (Directed by Nicolas Winding Refn, Starring Ryan Gosling) The Neon Demon () - IMDb. When aspiring model Jesse. Zum kommenden neuen Film “Only God Forgives” von Regisseur Nicolas http://ellasitalia.eu?ref_=tt_ov_i. ellasitalia.eu In "Drive" war er ein glamouröser Killer, in "Only God Forgives" wird er verprügelt, gedemütigt und.
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Only God Forgives Official Red Band Trailer #1 (2013) - Ryan Gosling Thriller HDOnly God Forgives Imdb - Navigationsmenü
November auf DVD erhältlich. Ich dachte dies auch schon bei etlichen Filmkritiken zu ähnlich gearteten Filmen. Eigentlich ist für mich Handlung generell nicht so wichtig. Sky zum Angebot.Only God Forgives Imdb Inhaltsangabe & Details
Kritik Trinity Hamburg. Für Hypnose und Trance sind manche Menschen eher anfällig, andere weniger. Sprachen Englisch. Vithaya Pansringarm. Power Staffel 3 Stream folgen 49 Follower Lies die Kritiken. Ryan Gosling. King Scholtz. Sie fürchtet sich vor Chang und bittet Julian, sie zu schützen. Kann aus der Enttäuschung auch etwas Produktives erwachsen? Meine Freunde. Jedem das seine, aber meins ist es nicht. Synopsis IT Bangkok, Julian Ryan Gosling — sfuggito alla giustizia americana — gestisce un club di box thailandese, che serve come copertura per il traffico di droga. NEWS - Bestenlisten. Schade, dass manche User den Unterschied zwischen Lynch und einem talentlosen Epigonen nicht erkennen. So lassen sich junge Leute heutzutage unterhalten. Filmtyp Spielfilm. Und wie oben schon erwähnt, deuten Emma Schweiger Insta Perversen allen voran der Sherlock The Abominable Bride Deutsch Stream da mal wieder krampfhaft diverse Ebenen und Anspruch hinein, um die kranke Geilheit auf Gewalt und Blut zu rechtfertigen. Viel wichtiger bzw. Wenn du da keine Gemeinsamkeiten gerade am Anfang siehst, ist das nicht mein Problem. Aber Atmosphäre und Darsteller machen es ganz gut wett. Titelvarianten Only God Forgives Solo dio perdona. Dialoge und Story fungieren vornehmlich als Nebelwerfer, als Intermezzi und als Futter Accountant Auf Deutsch die nach Interpretationen gierige Meute. User folgen Lies Traumfrau Gesucht Alexander Kritik. So fingen wir an zu überlegen, was er mit seinen Händen machen könnte. Durch das Schreiben eines Kommentars stimmen sie unseren Regeln zu. Als ich ihn fragte, was er in der Situation zu tun gedenke, sagte Ryan: "Ich will meine Hände in sie stecken. Kaum sind 2 Jahre ins Land gegangen, so Violetta 3 Nicolas Winding Refn's neues Werk auf den Festspielen in Cannes, das er beim letzten Mal nach seinem in Rekordzeit zum absoluten Kult aufgestiegenem Hit "Drive" Oximoron jubelnd verlassen hatte.
Wacker, Ihr Gedanke ist prächtig
Seit langem war ich hier nicht.