Star Trek 2

Review of: Star Trek 2

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On 11.07.2020
Last modified:11.07.2020

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Star Trek 2

Der Anführer einer feindlichen Gruppe ist Khan, ein genmanipulierter Tyrann, der nur ein Ziel hat: Rache an Captain Kirk und der Enterprise. Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. Doch zurück zu STAR TREK II. Die Chemie der Darsteller unterienander stimmt und mit Ricardo Montalban ist ein charismatischer Antagonist für Kirk und Co.

Star Trek 2 Inhaltsverzeichnis

Die Enterprise wird nach Hause zurückbeordert, nachdem ein fürchterlicher Terroranschlag in London ein Archiv der Sternenflotte vernichtet und die Erde in eine schwere Krise gestürzt hat. Dahinter steckt John Harrison, ein ehemaliges Mitglied der. Heute gilt Star Trek II als eine der gelungensten und innerhalb Star Treks einflussreichsten Leinwandadaptionen. Inhaltsverzeichnis. 1 Handlung; 2. Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. Doch zurück zu STAR TREK II. Die Chemie der Darsteller unterienander stimmt und mit Ricardo Montalban ist ein charismatischer Antagonist für Kirk und Co. Khan Noonien Singh nutzt die Gelegenheit von seinem Gefängnis auf dem Planeten Ceti Alpha V zu. Star Trek Into Darkness ist der Nachfolger von Star Trek und setzt den Handlungsstrang mitsamt der. Star Trek II – Der Zorn des Khan: Sendetermine · Streams · DVDs · Cast & Crew.

Star Trek 2

Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. Doch zurück zu STAR TREK II. Die Chemie der Darsteller unterienander stimmt und mit Ricardo Montalban ist ein charismatischer Antagonist für Kirk und Co. Star Trek 2 - Der Zorn des Khan (Remastered) DVD im Onlineshop von Saturn kaufen. Jetzt bequem online bestellen. Star Trek 2

Star Trek 2 - Streams und Mediatheken

Doch Spock fehlen einfach die nötigen Fakten, um darauf eine klare Antwort parat zu haben. Die Erschütterung verschob die Umlaufbahn von Ceti Alpha V und auf dem einstmals bewohnbaren Planeten, welchen Kirk damals für Khans Eroberungszüge auserkoren hatte, blieb nur noch Wüste über. Überprüfen Sie die Systemanforderungen. Sie untersuchen das Innere des Schiffes, doch es befindet sich niemand an Bord.

New Hollywood sci fi. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: William Shatner Kirk Leonard Nimoy Spock DeForest Kelley McCoy James Doohan Scotty Walter Koenig Chekov George Takei Sulu Nichelle Nichols Uhura Bibi Besch Carol Merritt Butrick David Paul Winfield Terrell Kirstie Alley Saavik Ricardo Montalban Khan Ike Eisenmann Preston John Vargas Jedda John Winston Edit Storyline It is the 23rd century.

Taglines: Beyond the darkness A genetically superior tyrant. Exiled to a barren planet; banished by a Starship Commander he is destined to destroy.

Left for dead, Khan has survived. Edit Did You Know? Trivia The film features a remarkably changed Khan. In his first appearance, Khan was depicted as a powerful but well-disciplined leader for his people.

In this film, Khan is driven mainly by passion, having turned into an obsessively vengeful man. Goofs In an overhead shot of Space Station Regula 1 over a moon directly after the Enterprise departs from drydock , Regula 1 is noticeably transparent; craters can be easily seen through the station.

This is seen as a goof, but is actually a limitation of the blue screen shots movie makers faced in the seventies and eighties. Quotes [ first lines ] Saavik : Captain's log: Stardate Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates Approaching Neutral Zone; all systems normal and functioning.

Sulu : Leaving section 14 for section Saavik : Standby. Project parabolic course to avoid entering Neutral Zone. Sulu : Aye, captain.

The installation covered two floors of the Paley Center building, and was free to the public. Netflix released each episode of the season for streaming in another countries, within 24 hours of its U.

The episode was among 15 of the "most culturally relevant" Star Trek episodes that were chosen to be included as part of the event, which served as a fundraiser for several organisations including Black Strategy Fund, Movement for Black Lives , and Black Lives Matter.

The release includes two hours of bonus features, including featurettes, deleted scenes, a gag reel, and cast and crew commentaries on four episodes, as well as two shorts from the Star Trek: Short Treks companion series: " Runaway " and " The Brightest Star ".

The website's critical consensus reads, "The second season of Discovery successfully—if stubbornly—cleans up the problematic storylines of Trek past while still effectively dramatizing new takes on the lore.

Many reviews of the season premiere highlighted its lighter tone and focus on adventure compared to the darker, war-focused first season.

Gay also highlighted how expensive the season looked, comparing it to the production value of Game of Thrones , as well as the returning cast and new additions such as Notaro and Mount.

She expressed concern for the season's focus on previous Star Trek elements such as the Enterprise and Spock, but felt this would work if it used those elements to further explore the series' original characters.

He was critical of the series' continued focus on Burnham's backstory rather than developing her character based on present actions.

Reviewing the full season, Jordan Hoffman of Polygon praised Mount and Peck, expressing disappointment that they would not be returning for the third season and suggesting their stories be continued in some other way.

Despite this, he was positive about the way the season still focused on Burnham and its other main characters rather than letting the existing Star Trek characters take over the series.

Hoffman was also positive about the efforts made in the season finale to align the series with the existing Star Trek canon, and praised the decision to have the Discovery travel to the future believing that was "where they should have been in the first place".

He described the changes made in the season finale to line up with continuity as an "annoyingly clever retcon", and also highlighted the season's cinematic visuals and music which he compared to the Star Wars films.

Overall he felt the season was both "sloppy" and "pretty effective, offering up nice character interplay, crazy visuals and effects, and some 'whoa' moments of Star Trek grandeur".

Collura also expressed interest in a new series following Spock on the Enterprise. He felt the serialized story was too stretched out, said Burnham's character did not receive interesting development, and described the efforts made at the end of the season to tie-into existing continuity as "dumb".

He did praise Mount and Notaro, and felt the next season could only be better than this one. In addition to critics expressing interest in seeing Mount and Peck continue on in a new series after the end of the second season, [96] [98] fans of the series also began calling for such a series, including through online petitions.

Mount and Peck both responded positively to the idea, [] [] as did Kurtzman, who said in April , "The fans have been heard.

Anything is possible in the world of Trek. I would love to bring back that crew more than anything. From Wikipedia, the free encyclopedia. Second season of Star Trek: Discovery.

Main article: List of Star Trek: Discovery episodes. Main article: List of Star Trek: Discovery characters. Archived from the original on February 27, Retrieved February 27, The Hollywood Reporter.

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StarTrekDiscovery" Tweet. Archived from the original on August 20, Archived from the original on April 5, Archived from the original on July 21, Retrieved July 21, SyFy Wire.

Archived from the original on March 8, Archived from the original on March 12, Archived from the original on January 8, Retrieved January 9, Archived from the original on February 9, Retrieved February 9, Archived from the original on June 24, Retrieved June 24, July 28, Archived from the original on July 29, Retrieved July 29, Archived from the original on October 27, Retrieved October 27, Archived from the original on June 10, Retrieved June 11, Retrieved August 5, Digital Spy.

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Archived from the original on April 13, Archived from the original on May 27, Retrieved May 27, Do these buttons look familiar?

They should! James sent hundreds of buttons to the startrekcbs production team last year for their version of the Enterprise bridge for Star Trek Discovery!

Get A Copy. Hardcover , pages. Published November 1st by Bantam Books first published February More Details Other Editions Friend Reviews.

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More filters. Sort order. Start your review of Star Trek 2. Aug 08, Jerry rated it liked it. Like a Cliff's Notes version of seemingly randomly picked Star Trek episodes, this book relates some of the most dramatic scenes from the series, including the classic heartbreaking climax of "The City on the Edge of Forever".

However, summaries rarely, if ever, pack the same punch as an original work, so, I'd suggest watching the actual episodes instead. Plus, one use of a derogatory at least, in modern times racial term was surprising.

Apr 26, Dustin rated it it was ok Shelves: future , sci-fi , tie-in , star-trek. I can already feel Harlan Ellison spinning in his grave. Arena is about how I remember it from the show.

Blish does a good job setting the scene of the, well, arena world and the Gorn. A Taste of Armageddon is a brisk retelling, but the characters all feel accurate to the show.

Space Seed is about as quick a run through of Space Seed you could manage without actually cutting plot points. I guess the few extra pages for City on the Edge of Forever had to come from somewhere.

Star Trek 2 is a collection that is very workmanlike. Nothing fancy, get the job done and do it quickly. I can only imagine the policies Blish was working under when writing these.

Only really of interest to the most die-hard of Trek fans. This is the 2nd of Blish's adaptations of star trek episodes, taking the script and turning them into short stories.

This set includes the episode that introduced the Klingons, and the episode that set up the movie "Wrath of Khan".

This is Important Stuff. Some of these match very closely with the aired episodes, some are much more changed, but I noticed the differences in every one.

In my estimation most of them have come out better than the original episodes. Everything that annoyed me, the inco This is the 2nd of Blish's adaptations of star trek episodes, taking the script and turning them into short stories.

Everything that annoyed me, the inconsistencies, plot holes, the illogical bits that really irritated me why yes I am half vulcan..

I love James Blish for this, I really do. It's about time I read one of his original novels. Dec 04, Tracy Poff added it Shelves: other-stuff-exists , science-fiction , star-trek.

This review also appears on my blog. Each short story is typically quite similar to the episode being adapted, though there are some differences.

Notably, the ending of "Operation--Annihi This review also appears on my blog. Notably, the ending of "Operation--Annihilate! In the episode, they expose Spock to a massive blast of electromagnetic radiation, including visible light, and believe that they have blinded him.

Upon discovering that the visible light was unnecessary, they regret that they have needlessly blinded him.

In the end, though, he recovers, and they save the planet using the same procedure, on a larger scale. In the short story, the Enterprise instead seeks out the central concentration of the mind-controlling creatures and destroys it with missiles, which leaves the creatures directionless and easily dealt with.

I like the writing in this volume better than that in its predecessor, though I couldn't point at a definite reason why. It still suffers from the problem that the episodes on which the stories are based relied heavily on the visual element, and so are somewhat lacking as short stories.

They don't generally have any big ideas behind them, and if they do they don't explore them very thoroughly. I do think that some of the stories here have merit.

Not to be too negative, I did have a pleasant surprise when reading "Tomorrow is Yesterday". After their time-traveling adventure, Spock comments, "And so we have revised Omar.

Sadly, I don't recall him being quite so literary in the episode. Given its general improvement over its predecessor, I can recommend Star Trek 2 to fans looking for a quick read, or another perspective on the episodes, and the new ending to "Operation--Annihilate!

Mar 10, David King rated it liked it. It has probably been my favourite Blish collection so far but this just reinforces my belief that these books largely succeed or fail based on the quality of the episodes themselves.

On the whole, the stories are similar to the episode with minor differences that mainly occur I suspect due the fact that Blish tended to be writing from earlier versions of the scripts.

Aug 16, stormhawk rated it it was amazing. Before VCRs, DVDs, and streaming, the only wary to reexperience an episode of a tv show was to hope that someone did a novelization.

James Blish write a series of short stories, each one based on early versions of scripts, so the aired episodes often do not match the stories.

I loved these books and read them too tatters! Oct 30, Skjam! Shelves: sf , ya , anthologies , published , author-b , backlist Once upon a time, Star Trek was not a cultural touchstone.

It was, instead, a short-lived television series that was much beloved by a slice of the audience that would form the core of fandom, but with relatively poor ratings and considered soon to be forgotten like so many series before it.

Bantam Books acquired the rights to publish tie-in books, starting with a series of short story novelization of various episodes by Jame Once upon a time, Star Trek was not a cultural touchstone.

Bantam Books acquired the rights to publish tie-in books, starting with a series of short story novelization of various episodes by James Blish.

At the time he wrote this second volume, Mr. Blish still had never seen an actual episode of Star Trek, relying instead on the draft teleplays scripts supplied by Desilu.

This volume has eight episodes represented. But perhaps the strength and cunning to kill your enemy is not the quality best suited to survival.

Will mercy be shown? Can good old fashioned lawyering save the day? But how? And will finding the answer kill Spock?

Kirk and Spock pursue, but they may need to fail to succeed. A menace from the Eugenics War is unleashed!

Feb 15, Meadhbh rated it liked it Shelves: scifi , trek. After spending several months reading "heavy weight" texts by 20th century philosophers, I was very happy to return to Trek.

Like returning to a well worn, but comfortable sofa at your parents' house, returning to read the novelization of several classic Trek stories was great fun.

Blish is a competent writer, even gifted at times. This text held eight, short "not quite novellas," retelling classic tales from the original series: Arena, A Taste of Armageddon, Tomorrow is Yesterday, Errand of Merc After spending several months reading "heavy weight" texts by 20th century philosophers, I was very happy to return to Trek.

I started reading Blish's adaptations to hopefully glean some additional detail of stories I felt I knew.

Star Trek 2 Da erkennt er die Chance auch Kirk wieder zum Leben zu erwecken. Admiral James T. Nachdem Khan bewusst wird, dass Kirk aus seinem Grab tatsächlich entkommen konnte und ihn erneut hinters Licht geführt hat, beginnt seine ohnehin schon lodernde Wut richtig auszubrechen. Also begibt sich Spock, von den anderen unbemerkt, Game Of Thrones Season 7 Amazon den Maschinenraumin voller Absicht, um den Hotel Scharbeutz wieder in Gang zu bringen, wohl wissend, dass es seine letzte Aktion sein würde. Nicholas Meyer. Wenig später wird die Enterprise auf ihrem Kurs nach Regula plötzlich Spongebob Filme der Reliant abgefangen. In: www. Scott, sind ihre Kadetten für einen kleinen Testflug bereit? Dye tests of the fabric showed that the old uniforms took three colors well: blue-gray, gold, and dark red. Screen Rant. Retrieved October Www.Ard.De Mediathek, Retrieved Melodie Haase 18, It was, instead, a short-lived television series that was much Sister Eurovision 2019 by a slice of the audience that would form the core of fandom, but with relatively poor ratings and considered soon to be forgotten like so many series before it. My favorite from this series are "Arena" where Kirk fights a Gorn on a planet and the Vaiana Stream Hd Filme is told they will be killedand "A Taste of Armageddon," which could have been a Dr Bobo Der Siebenschläfer story. In total, Blish wrote 11 volumes of short stories adapted from episodes of the s TV series, Star Trek 2 well as an original novel, Spock Must Die! Archived from the original on June 15, Among the film's technical achievements was cinema's first entirely computer-generated sequences, both the star fly-through prior to the opening Paul Walker Iii, and ILM's animation for the demonstration of the effects of the Genesis Device on a barren planet. Sowards heran. Zusätzliche Bedingungen Transaktionsbestimmungen. Als die Enterprise Andrew Dice Clay erreicht, kommt es zu einem Maschinenschaden, der das Schiff im feindlichen Gebiet stranden lässt. Carol Marcus nach einem geeigneten Planeten für das sogenannte Genesis Projekt. So soll ein offener Konflikt mit den Klingonen vermieden werden. Spock allerdings bleibt hartnäckig, wohl wissend über Kirks derzeitiges Dilemma. ST II - Der Zorn des Khan. Star Trek: The Wrath of Khan. von Matthias Weber. Inhalt. Sternzeit: ,3 (Jahr ). Der Kobayashi Maru Test. Admiral Kirk. Die DVD Star Trek II: Der Zorn des Khan jetzt für 5,99 Euro kaufen. Star Trek 2 - Der Zorn des Khan (Remastered) DVD im Onlineshop von Saturn kaufen. Jetzt bequem online bestellen. Der Anführer einer feindlichen Gruppe ist Khan, ein genmanipulierter Tyrann, der nur ein Ziel hat: Rache an Captain Kirk und der Enterprise.

Star Trek 2 - Navigationsmenü

Khan selbst überlebt allerdings das Gefecht mit der Enterprise, wenn auch schwer verletzt. Der Hass siegt jetzt, ich speie meinen letzten Atem auf dich, Kirk! Plötzlich taucht ein mysteriöser Mann auf und verspricht ihm zu helfen. In die dadurch entstehenden, dreidimensionalen abstrakten Muster kopierten die Trickexperten die abgefilmten Raumschiffmodelle hinein. Als er sie ein wenig zu sich dreht und den Namen des Schiffes liest, fährt ihm der Schreck buchstäblich durch die Glieder. LudwigKaspar Eichel neue Szenen. Beide Raumschiffe fallen antriebslos aus dem Orbit in Richtung Erde. William Shatner James T. Carol Marcus nach Shippuden Filler geeigneten Planeten für das sogenannte Genesis Projekt.

The studio and network were pleased with the scripts for the season and early cuts of already filmed episodes, but the first episode of the season had gone significantly over budget—to the point that the budgets for later episodes of the season would have to be cut to cover the difference—and the pair were allegedly abusive towards the series' writing staff, with multiple writers becoming uncomfortable working with them.

Some had apparently been threatened by Harberts after stating their intention to file a formal complaint. Kurtzman was made sole showrunner in their place, and was described as the "glue holding Discovery together".

Despite never planning to showrun Discovery , Kurtzman felt as co-creator of the series that it was his responsibility to make sure it was working.

With the change in showrunner came news that Goldsman had not returned as executive producer for the second season, after serving as Kurtzman's "right-hand man" on the first, because he had a "management style and personality that clashed with the writing staff".

Olatunde Osunsanmi , who served as a director and co-executive producer during the first season, became a full executive producer as well and was set as producing director for the rest of the season's production.

Additionally, Jenny Lumet , who joined as a consulting producer at the beginning of the season, was promoted to co-executive producer.

The series' writers began work on the second season in December , and were considering "science vs. Harberts said the season would be "jam packed" with things that they were not able to do in the first.

It means connections you can't explain. Who enters your life and who leaves your life and these indelible impressions people make Mount felt that the season was able to "get back to those big questions" because it was no longer questioning the leadership of the Discovery as was done with Captain Gabriel Lorca in the first season.

He felt that protagonist Michael Burnham "really wrestled" with faith in the season because she was not raised with it, but in the end was rewarded for finding it.

He interpreted this message as being, "If you believe in yourself, ultimately, the best outcome presents itself. Without the first season's Federation—Klingon War storyline, Kurtzman said there would be less focus on the Klingons in the second season and far fewer Klingon-only scenes, but Klingon characters would still appear.

This ties into a larger story that is the main arc for the second season, [51] involving seven mysterious signals and a mysterious "red angel" figure.

Burnham's adoptive brother Spock is also a crew member of the Enterprise , but Harberts was less interested in him given his many appearances throughout the franchise.

The season finale had to answer all the season's mysteries, complete its character arcs, feature a large battle, and set-up stories for the next season.

While planning this, the writers realized that they could not do justice to it all within a single episode's length. It was around this time that CBS added an additional episode to the season's order, which allowed the writers to expand their finale plans to a two-part season finale.

Executive producer Michelle Paradise compared the scope of the finale to a feature film. Kurtzman said this solution was chosen after months of work with the writers, and was additionally made because of the implications it has for the future of the series; he compared the decision to the film Star Trek starting a new timeline to avoid established continuity.

In April , Anson Mount—who was considered for the role of Lorca in the first season—was cast as Pike, a "key role" for the season, [10] [45] and a young Spock was confirmed to be appearing in flashbacks; [54] Kurtzman noted that casting for Spock took into consideration a balance between Vulcan logic and revealing "emotion in the eyes and in the small gestures".

Kurtzman compared the actor to both Nimoy and Quinto and stated that he believed Peck "would, like them, effortlessly embody Spock's greatest qualities, beyond obvious logic: empathy, intuition, compassion, confusion, and yearning".

An alternate ending to the first season was revealed in March , introducing a Section 31 agent named Leland who is portrayed by Alan van Sprang. The producers confirmed that Van Sprang would be portraying the character in the second season.

The actor described his role in the second season as a "massive part of it". Tig Notaro was cast in the guest role of Denise Reno in April The latter is revealed to be the "Red Angel", a character seen throughout the season.

Hannah Cheesman took over the role of Airiam for the season, with original actress Sara Mitich recast in the role of Nilsson.

Costume designer Gersha Phillips and her team created over different costumes for the season. She noted that the collars on the Discovery uniforms already evoked the v-shape design of the original uniform collars.

The difference in uniforms is explained when a character remarks that the more colorful uniforms are new and being introduced to Starfleet starting with Enterprise.

Phillips and her team overlooked the fact that the Discovery uniforms identify rank through pips on their Starfleet badges which are not present on the Enterprise uniforms, and so there was no identification of rank on any of the Enterprise characters.

The mistake was pointed out by John Van Citters, the vice president of Star Trek brand management at CBS Studios, and the solution was to add stripes to the sleeves of the uniforms.

CGI was used to add these stripes to footage from before the mistake was discovered. Phillips was asked to make the Section 31 costumes black, and to not give the characters a uniform.

Phillips made sure these costumes were different from the cleaner style of the main Starfleet uniforms to highlight the different types of people hired by Section 31 and their different approach.

She noted that this was appropriate for Georgiou, who Phillips felt "wouldn't wear a uniform, because she's not going to conform".

After seeing her first designs for the costumes, Kurtzman asked her to take them further. Phillips used fabrics with "puffy" textures printed onto them for the costumes.

The Talosians also wear necklaces that were designed in collaboration with jeweler Dana Schneider. The Red Angel suit was inspired by Scarlett Johansson 's costume from the film Ghost in the Shell , with Discovery ' s prop master Mario Moreira contributing to the design.

It was created with companies Plassens and By Design using 3D printing. Phillips stated that all the actors who wore the suit said it was one of the most comfortable to wear, noting that this is not usually the case for actors wearing complex costumes.

For the Klingons, Phillips was excited to depict the species in a time of peace, and was able to produce several different costumes that were not warrior-based.

Phillips noted that in previous appearances groups of Klingons were often depicted as wearing the same costume, but on Discovery there was a mandate to have more diverse looks within groups of aliens.

L'Rell's costumes in the season were intended to be provocative to show the character as "just being the woman that she was Glenn Hetrick and Neville Page of Alchemy Studios, who provide prosthetics and armor for the series, teased in May that the season would feature a "truly alien" character for which they had to figure out new ways to reduce the weight of the prosthetics and make it breathable for the actor, as well as try improve the actor's vision because the eyes of the creature did not align with where human eyes are positioned.

Hetrick added that there would be more interesting prosthetics for extras, while the pair were able to use a species from earlier Star Trek canon that had not been in the first season of Discovery after producing a list for the executive producers featuring all the species they would like to use.

Several new sets for the Discovery were built for the second season, adding to the ones constructed for the first.

These included a new "loop corridor" and new entrances to the mess hall and sick bay sets. The engineering set from the first season was also renovated for the second, with production designer Tamara Deverell explaining that the cinematography department had been complaining about the large amount of light coming from the spore chamber in that set in contrast to the rest of the room.

John Eaves and Scott Schneider, designers of the starships for the series, were required to redesign the USS Enterprise for Star Trek: Discovery , making it 25 percent different from Matt Jefferies ' original design due to legal concerns regarding the ownership of different Star Trek elements.

CBS ultimately confirmed that they were free to reuse Jefferies' design in Star Trek: Discovery , but stood by the changes made by Eaves and Schneider as creative improvements that took advantage of modern visual effects.

These changes included adding elements that could realistically be removed or replaced in the time between this series and the beginning of the original series.

The visual effects department made further adjustments to the design after Eaves and Schneider completed their work. He added that any sets designed for the Enterprise would bridge the look of the original series and Discovery while still trying to adhere to canon and remain consistent with the original designs where possible.

There had been plans to show the interior of the Enterprise during the first-season finale, but this was ultimately saved for the second season.

Deverell did extensive research on the original sets before trying to recreate them using Discovery ' s "new methodology", including searching through the CBS archives to do color tests on the original bridge sets which feature a distinctive red that sometimes appeared to be orange on the original series Discovery includes a joke about the bridge being orange, though Deverell insisted that it is red.

The Enterprise bridge set was built on a new soundstage for the series specifically for the two-part second season finale, rather than being a repurposed set.

Filming for the season began at Pinewood Toronto Studios on April 16, , [5] [76] under the working title Green Harvest.

Production was set to take place on the series at the studio until November 8. This allowed Kurtzman to take the time to "regroup" the series' writing staff without delaying the series' production.

Kurtzman hoped that if the series was projected in a theater it would appear indistinguishable from a feature film, and chose to use anamorphic lenses for the season to "immediately [convey] a sense of scope and scale".

He also pushed the lighting and design departments to use color in ways that are not traditionally considered for television, and challenged the episode directors to each shoot a scene where they would not use the same shot twice; this was to encourage them to use more inventive shot choices rather than just typical "coverage" filming a master shot of the scene followed by angles from several different sides if time permitted.

Kurtzman also wanted as many options available to the editors as possible during post-production.

Addressing the fact that Star Trek was originally inspired by naval tradition , Kurtzman said that the season would be leaning further into that than the first did, especially in the way that they filmed the bridge scenes and a funeral sequence.

He named Crimson Tide as an influence for the filming style. He added that Osunsanmi encouraged the episodic directors to "express ourselves visually in as exciting a way as possible" which was different to the restrictions Frakes was used to from other series.

During filming of one of the season's episodes in August , Anson Mount was involved in an "on-set physical altercation" with the episode's director when he touched the director while rehearsing a pointing action before beginning a scene.

The incident was reported to CBS's HR department who reviewed it and decided against any disciplinary action for Mount. The actor had apologized to the director at the time.

The incident had no effect on Mount's involvement with the series, as work on the season continued without interruption and the series production was believed to be interested in working with Mount further despite his contract being for the second season of the series only.

Composer Jeff Russo planned to begin work on the second season in May , after receiving the first script for the season. He did not expect to significantly change the tone of his music for the season, feeling that so much work in the first season had gone towards creating a unique sound for the series within the Star Trek franchise which he would like to continue moving forward.

Russo generally works directly with the showrunners rather than any of the episodic directors but discussed his score for the season's second episode with director Frakes.

It includes three cues from Russo's Short Treks score. All music composed by Jeff Russo: [84]. The first trailer for the season debuted at the panel before being released online.

It covered the creative process for the season, including production and concept art, models, props and costumes used during production, pieces from the set such as the USS Discovery captain's chair, and full prosthetic makeup busts.

The installation covered two floors of the Paley Center building, and was free to the public. Netflix released each episode of the season for streaming in another countries, within 24 hours of its U.

The episode was among 15 of the "most culturally relevant" Star Trek episodes that were chosen to be included as part of the event, which served as a fundraiser for several organisations including Black Strategy Fund, Movement for Black Lives , and Black Lives Matter.

The release includes two hours of bonus features, including featurettes, deleted scenes, a gag reel, and cast and crew commentaries on four episodes, as well as two shorts from the Star Trek: Short Treks companion series: " Runaway " and " The Brightest Star ".

The website's critical consensus reads, "The second season of Discovery successfully—if stubbornly—cleans up the problematic storylines of Trek past while still effectively dramatizing new takes on the lore.

Many reviews of the season premiere highlighted its lighter tone and focus on adventure compared to the darker, war-focused first season.

Gay also highlighted how expensive the season looked, comparing it to the production value of Game of Thrones , as well as the returning cast and new additions such as Notaro and Mount.

She expressed concern for the season's focus on previous Star Trek elements such as the Enterprise and Spock, but felt this would work if it used those elements to further explore the series' original characters.

He was critical of the series' continued focus on Burnham's backstory rather than developing her character based on present actions.

Reviewing the full season, Jordan Hoffman of Polygon praised Mount and Peck, expressing disappointment that they would not be returning for the third season and suggesting their stories be continued in some other way.

Despite this, he was positive about the way the season still focused on Burnham and its other main characters rather than letting the existing Star Trek characters take over the series.

Hoffman was also positive about the efforts made in the season finale to align the series with the existing Star Trek canon, and praised the decision to have the Discovery travel to the future believing that was "where they should have been in the first place".

He described the changes made in the season finale to line up with continuity as an "annoyingly clever retcon", and also highlighted the season's cinematic visuals and music which he compared to the Star Wars films.

Overall he felt the season was both "sloppy" and "pretty effective, offering up nice character interplay, crazy visuals and effects, and some 'whoa' moments of Star Trek grandeur".

Collura also expressed interest in a new series following Spock on the Enterprise. He felt the serialized story was too stretched out, said Burnham's character did not receive interesting development, and described the efforts made at the end of the season to tie-into existing continuity as "dumb".

He did praise Mount and Notaro, and felt the next season could only be better than this one. In addition to critics expressing interest in seeing Mount and Peck continue on in a new series after the end of the second season, [96] [98] fans of the series also began calling for such a series, including through online petitions.

Mount and Peck both responded positively to the idea, [] [] as did Kurtzman, who said in April , "The fans have been heard.

Anything is possible in the world of Trek. I would love to bring back that crew more than anything.

From Wikipedia, the free encyclopedia. Second season of Star Trek: Discovery. Main article: List of Star Trek: Discovery episodes. Main article: List of Star Trek: Discovery characters.

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Archived from the original on April 1, Retrieved March 21, — via Twitter. Archived from the original on March 23, I started reading Blish's adaptations to hopefully glean some additional detail of stories I felt I knew.

Sadly, they are generally considerably less detailed than I would have preferred. City on the Edge of Forever is the exception, however. Originally written by Harlan Ellison, Blish offers a greatly condensed, but still very engaging version.

Well worth the 20 minutes it takes to read. Operation: Annihilate! It also offers a few additional details concerning the space-parasites who act as the primary antagonist.

I read these stories to relive the joy of youth and remind myself of pleasant days gone by. If you've seen the show, your time is probably better spent reading some of the later original stories, but the versions offered here are so short, they're easy to finish quickly.

If you're a "true fan" or a nostalgia-junky or if you haven't seen the original TV show, it's well worth the time.

Feb 04, Octavia Cade rated it liked it Shelves: science-fiction , short-stories , media-tie-in. Zippy, enjoyable read, as eight episodes from the original Star Trek are turned into short stories.

And I was wondering, as I read today, why I find the Blish retellings more entertaining than the Star Wars novelisations.

Both are fairly thin, not digging that far below what was onscreen, Zippy, enjoyable read, as eight episodes from the original Star Trek are turned into short stories.

Both are fairly thin, not digging that far below what was onscreen, and I think in the end it comes down to length. Each Blish story runs about 15 pages, representing 40 odd minutes of television programme, whereas the movie retellings are about three times the screen length and about 13 times the page length.

It doesn't match up, and it seems that in the absence of depth I have an increased appreciation for pace. Overall I loved this one as it features some of my favourite episodes including the wonderful Wrath of Khan prequel: Space Seed.

While I've never found James Blish to be one of the best Trek writers, he gets the job done and I found this volume more fluid and less rushed than Star Trek 1 - Although part of this could simply be that it features better stories.

Apr 06, Lance Lumley rated it really liked it. These books are stories adapted by from the TV shows, and are a great read. They are under pages, and each short story is under 20 pages.

I remember reading these as a kid, and recently got them from a book sale. My favorite from this series are "Arena" where Kirk fights a Gorn on a planet and the loser is told they will be killed , and "A Taste of Armageddon," which could have been a Dr Who story.

Even if you are not a major Star Trek fan, these are entertaining short stories that can be r These books are stories adapted by from the TV shows, and are a great read.

Even if you are not a major Star Trek fan, these are entertaining short stories that can be recommended for any age. Sep 08, Ross Vincent rated it really liked it Shelves: st-tos , star-trek.

As part of this year's Star Trek Day activities, I sat down and finished reading this book. May 25, Erik rated it liked it.

Just TOS episodes. Aug 08, Jack Treml rated it really liked it. Better than you'd imagine - James Blish's short stories were very popular at the time that Star Trek was showing.

This book contains the story, Space Seed, that first introduces us to Khan. Jan 26, Michael Borsos rated it it was amazing. I love Star Trek.

The author did a fine job. I especially loved Space Seed. Apr 07, K rated it really liked it. Excellent adaptations of the Original Series episodes.

James Blish has a very good understanding of the characters. I'm looking forward to reading the rest of this series. Very enjoyable. Glen Is this the first time reading these books for you?

Oct 27, PM. Mick Yes. Glen It is bringing back good memories from when I read those books over 20 years ago. Jun 14, The Mustache Louie Matos rated it liked it Shelves: star-trek , science-fiction , read Fans of the original show will enjoy going back over some of the episodes of the first season and enjoy them in narrative form.

They are not exact transcriptions so fans can pick out some inconsistencies, but I think the stories work in their own way. I like these both and have only been able to get my hands on 1 and 2, but I will keep an eye out for the rest.

Apr 18, Francisco rated it really liked it. We come to the second of what will eventually be 12 volumes of novelizations of the original series by James Blish there will also be an added volume by his wife, adapting the Mudd episodes with an original novela thrown in.

Again Blish is We come to the second of what will eventually be 12 volumes of novelizations of the original series by James Blish there will also be an added volume by his wife, adapting the Mudd episodes with an original novela thrown in.

Again Blish is generally competent and there seems to be a pattern forming here, where Blish is clearly more interested in the nuts and bolts of science fiction, so called "hard sci-fi" than really on the human relations in the stories.

This gives a different and complementary twist to the stories which manages to make them interesting reads even to people who are quite familiar with the source material, this is sometimes pretty good, as in the adaptation of Miri in the first volume and here it also benefits Arena which becomes an extended fight scene where Kirk is doing his best MacGyver impression trying to defeat the Gorn with what he has available in the surrounding scenery.

Sometimes this is detrimental to the story, and that happens here in "City on the Edge of Forever", usually considered the best episode of the entire series, but which loses some of its emotional punch here, as Blish spends more time dedicated to the construction of the radio transmitter than developing Kirk's relationship with Edith Keeler.

The highlights here are "Court Martial", played almost straight down the line as a courtroom drama, and "Space Seed", the first appearance of Khan and a pretty nifty tale which sets things up nicely for one of the best movies of the franchise which would come up in It's good to see Blish, who is a respectable and pretty good author his Cities in Flight stories are classics of the genre adapting the episodes in his own style, these are better than average novelizations, and as they are done in quite bite sized short-stories they are a pretty effortless read.

A selection of the short story adaptations by James blish of the original 's star trek TV series episodes.

The stories are simply but well written straightforward adaptations. Some are better than others depending on the quality of the original scripts.

I fell out with trek sometime ago as tastes changed but these blish stories were ones I always liked. City on the edge of forever, arena and space seed are the best.

I don't expect to be wowed by any of these original Trek adaptations, but my favorite thing about the first novel was the differences between adapted episodes vs the episodes themselves.

Unfortunately, things must have been gelling better now that the show hit its stride in year three, and the characters and stories didn't really deviate all that much.

Still, a couple interesting changes: -Operation: Annihilate! Unfortunately, it also eliminated Kirk's brother and family from the story, which, like Balance of Terror's adaptation from the previous novel, took some of the important drama away.

The story also removes the "oh no Spock is blind! In the story Spock calls Kirk "Jim" for the first time, in an effort to console him, which I thought was a brilliant idea.

Of course, they couldn't have done that in the episode itself, as I believe Spock was calling Kirk Jim by the first episode. Still, a great idea, and a more powerful ending than simply, "Let's get the hell out of here.

I plan to read all these, and hope there continue to be deviations. Aug 04, Daniel rated it liked it Shelves: scifi-fantasy , star-trek. Opening this book brings me back to the very first time I read this -- back in the very early 's.

This particular copy is the 11th printing and still it has no ISBN number. Back to a time when I had to rely on the local television station to broadcast old Star Trek episodes in order to watch them.

You couldn't record them only by audio cassette. So these printed stories were little nuggets of gold to fanatical young Trekkers such as myself.

Reading these now I still ge somewhat the same kick. Occassionally Blich embellished his stories with a little more insight into what motivated some of the characters.

This is appreciated and enjoyable. Though perhaps just as often, the stories raced through the plot, leaving out some of the finer details.

The retelling of "Space Seed" fits this latter. There seems to be no threat from Khan, but suddenly he has his entire crew aboard the Enterprise and is holding the entire crew hostage and then just as suddenly, Kirk has regained control.

The battle between men, between leaders, between centuries, never takes place as it does in the episode.

And while this was enjoyable and I'll probably reread all the books in this series, I'm still more likely to throw a DVD in the machine and watch an episode.

Sep 14, Ed Wyrd rated it really liked it Shelves: star-trek. There are some memorable episodes here and they translate well to this shorter medium.

Some of the stories seem to have changed from the original airing, and one might assume that the screenplay that Blish worked from was different from unlike Star Trek 1, which appeared rushed to print, this one was published a year later, giving James Blish more time and it seems more care to the project of writing short stories from the original scripts.

Some of the stories seem to have changed from the original airing, and one might assume that the screenplay that Blish worked from was different from the end result.

In the show, the flying amoeba-creatures are killed using visible light and temporarily blinding Spock , until they realize it's just the ultraviolet spectrum that kills them.

Here, the creature inside Spock is killed with magnetism. They can't however, do that planets wide, so they find another solution.

No spoilers here. Also, Blish himself states that the original Harlan Ellison screen play "City on the Edge of Forever" was different from the final version used on the show, and he tried his best to meld the best of both stories into his version.

All in all, unlike the first book in the series, this one was much more satisfying and is worth seeking out from a used book source.

When i was a kid, my older sister's friend GAVE me the entire collection. I know! Over the next few years, I read them all in order, starting the first one the day after I finished the last one.

Loved them. I'm not sad that I didn't hang onto them and can only hope they still exist to make some other fan happy. But I doubt it because The adaptations got better in the later volumes, but it was Star Trek whenever and wherever I wanted with having to put up with th When i was a kid, my older sister's friend GAVE me the entire collection.

The adaptations got better in the later volumes, but it was Star Trek whenever and wherever I wanted with having to put up with the spastic tripe William Shatner calls acting.

Frankly, I can't remember which story was in which volume, so my rating reflects my enjoyment of the set Jan 19, Rich Meyer rated it really liked it Shelves: read-in Blish is much more consistent with his characterizations than in the first volume.

Fans should note that this also features the adaptation of the episode "Space Seed", which featured Ricardo Montalban as Khan for the first time.

Aug 01, Mike McDevitt rated it liked it. Good stories is good stories, but I don't feel the need to keep or re-read this. Even for the sake of re-reading every Star Trek book I don't see the point of this re-interpretation.

When it's exactly the same as the aired episode I find myself nodding off, and when it's different, well Not always for the best. Oct 02, Fangirl rated it really liked it Shelves: sci-fi , tv-tie-in , read-this-a-long-time-ago , star-trek.

When these early novels and stories to Star Trek came out I bought them all, devoured them and loved them. It's been a long time, so today I couldn't even say which of them were really good and which of them I only loved because they were Star Trek.

That alone is worth the rating! Apr 04, Tim Gray rated it really liked it. I first read these borrowed from a library at a young age - when there was no hope of more Star Trek except in paper form.

So even episodes as stories had some novelty. James Blish is an accomplished writer, and he makes good us of the episodes he has here.

A familiar read, but with occasional differences, these are a light and entertaining read. Aug 27, Colin rated it it was amazing Shelves: star-trek , short-story-collections.

Part of the reason why I rated this book so highly is that it was the first Star Trek book I ever read. In fact, it was one of the first adult books "adult" in the sense of, "not a children's book" I ever read.

This one started me on all the James Blish episode novelizations. There are no discussion topics on this book yet. Readers also enjoyed.

Science Fiction. Short Stories.

Star Trek 2 Star Trek: Picard season 2 was confirmed before the show started Video

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