
Emma 2009 Stream Streame Emma jetzt bei diesen Anbietern
Emma ist eine Komödie aus dem Jahr mit Romola Garai und Rupert Evans. Britische Miniserie vom BBC über Emma Woodhouse, die sich als Kupplerin. Emma jetzt legal online anschauen. Jahrhundert: Die ebenso hübsche wie selbstbewusste Emma meint ein besonderes Talent zu Emma ( - ). Du willst Emma online schauen? Hier findest du in der Übersicht, auf welchen Video-Plattformen Emma derzeit legal im Stream oder zum Download verfügbar. Emma lebt zu Anfang des neunzehnten Jahrhunderts in dem kleinen Städtchen Highbury in der Nähe von London, wo sie ein Talent als Ehestifterin entwickelt. Emma. Staffel 1. ()X-Ray6. Die britische Ortschaft Highbury im Jahrhundert: Format: Prime Video (Online-Video wird gestreamt). Geräte: Kann. ellasitalia.eu - Kaufen Sie Emma ( BBC Version) günstig ein. When watching the new film in the cinema all I wanted to do was go home and re-watch this. Emma – Streams. Amazon Video · jetzt ansehen · Amazon Channels · jetzt ansehen · iTunes · jetzt ansehen · Google Play · jetzt.

Emma 2009 Stream Emma auf DVD und Blu-ray
Zustand: Gebraucht: Sehr gut. When watching the new film in the cinema all I wanted to do was Streamen Kostenlos home and re-watch this. Florian Heppert akzeptieren Cookie-Einstellungen End Of Evangelion. Der Ball wird abgesagt. Emma redet ihrer neuen Freundin ein, dass der Pfarrer Mr. Liked it very much and of all the adaptions I would recommend this one above all. I could re-watch this 1, times and love it more and more. Even now,we have another stylised film adaptation enticing young audiences to the work. Ramola Garai and Johnny Lee Miller are also doing a great job in portraying the main protagonists.
When Frank's controlling aunt dies, the Westons expect him to propose to Emma - but his actions set in motion a chain of events that both shock Emma and make her realise something that has been in plain sight all along.
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There was a problem filtering reviews right now. Please try again later. Verified Purchase. As a devout Jane Austen fan, I found this version to be a delightful adaptation of one of my less favored Austen novels.
I did not enjoy the book as much as I did the other Austen novels, and did not like the Gwyneth Paltrow movie version much. But this version makes me love the book like I never did before.
Romola Garai is wonderful as Emma - charming, beautiful, clever but with flaws. I did not expect Jonny Lee Miller to be such a wonderful Mr. Knightley - he is as dreamy as any Austen man can be and that's saying a lot.
Their chemistry is palpable, especially in the Highbury Ball scene which I have seen at least 40 times in the last 3 days The supporting cast is wonderful, and so is the music, costumes and the locations.
I enjoyed the book but loved, loved, loved the mini-series. Well done BBC! For about a decade, I've been walking into rooms while my wife has had this on.
I've seen countless snippets out of sequence, never truly understanding the storyline or knowing the character. Lisa got pretty sick of me asking stupid questions, and I realized that I've gotten to the point where I know and love the entire soundtrack!
I finally got smart, swallowed my male pride, put on the headphones, stepped on the treadmill, and actually watched an episode a day from start to finish.
Not only does it finally make sense, it was also beyond excellent! Jane Austen honestly explores matters of the heart like nobody else, while introducing us to the customs of our culture's past.
The lessons we learn are timeless. Enjoy your good fortune without becoming shallow. Care about the feelings of others, and don't be so quick to judge!
Close family ties are something to be nurtured anbd treasured. The list goes on and on. This BBC production is lush, of course, and that's to be expected.
The gentlle world of upper class England was an impossibly beautiful existence, far removed from the misery of everyday needs. Paradoxically, this absence of the realities of life allows us to zero in all the more on the personal world of the characters, as their actions reveal their true charecter.
The complex, mixed up storyline runs along comically and tragically. We laugh at the oversensitivity of these privileged fools, but we end up longing for a time when a life of proper courtesies pointed people toward protecting the feelings and concerns of others.
Very strong production, lovey landscapes and scenery. This "Emma" takes considerable time to lay a solid foundation, going into detail to explain Emma's dislike of Jane and their jealousy of each other.
The series also shows how children who were either orphaned or had lost a parent could be treated. The explanation of the roots of Mr.
Woodhouse's hypochondria was also interesting. The production had some nice psychological depth, but having a few more of the most memorable quotes would have made it even more enjoyable for me.
I missed them. I liked Emma's portrayal and her faulty manners and shocked expressions. This whole work is about her lack of manners, her rudeness, her busybody-ness, her general decline in the company of Frank.
Emma is cloistered, as this production takes great pains to show. She is neither by temperament nor association worldly or accomplished though she is smart.
She is also a snob, but not heartless. Her social faux-pas are quite entertaining to watch when they are not painful as is her transformation into a more conscious and better-mannered adult.
Knightly's perfection in the face of her flaws is at times a bit much to take, but the age difference makes it more palatable though still strange, since he is sixteen years her senior.
In a romance though, love is supposed to conquer all and smooth over everything with a happy, blind untroubled brush. This one is in my opinion the absolute best by far, especially if you read and enjoyed the book, but it isn't your favorite Austen novel.
By that I mean that this adaptation manages to stay mostly faithful to the events and characters of the novel, while making some welcome "improvements" that are very much in keeping with the spirit of the book.
The leisurely pace of this film actually a four part miniseries allows for more exploration of the real motivations of the characters.
At the risk of being horsewhipped by some Austen lovers this may even improve on the book. For example, Mr. Woodhouse's wonderfully portrayed here by Michael Gambon well known valetudinarianism retains its light humor as in the book, but gains a touch of pathos by the film gently reminding us that his wife's death was sudden and traumatic and that his light tyranny about illness and diet and travel comes from love rather than self occupation.
Miss Bates played by Tamsin Grieg also enjoys this treatment, showing us not just the silly chatterbox spinster, but also the very real sadness and loneliness of the "gentlewoman of reduced circumstances" we so often contend with in period pieces.
Even our understanding of Frank Churchill's Rupert Evans careless bad-boy-with-a-good-heart antics are broadened by the subtle suggestion that he might be just a little angry that he was sent away by his father all those years ago.
Contrast this with Paltrow's portrayal of the character as a sophisticated, politic, social adept in the adaptation and it's easy to see why Garai's version of the character is so much more lovable.
She's so much more human. Similarly, Emma is rendered much more sympathetic by this version's suggestion that her life, while seemingly charmed, has shortcomings and that her misguided matchmaking is not just about her vanity but also an attempt to deflect her own attention from the isolation and boredom she feels as a motherless girl taking care of an elderly father.
Plus the added but somewhat shallow bonus of Garai being absolutely lovely to look at doesn't hurt. Jonny Lee Miller is a revelation as Mr.
George Knightley, family friend, neighbor, and the brother of Emma's brother in law. Knightley is reinvented from the rather tame, somewhat prematurely middle aged gentleman of the novel into an intelligent, slightly unconventional, independent thinker, making for a much more interesting and engaging character.
He plays Knightley as rather in love though perhaps subconsciously with Emma from the start, which makes his scolding of her seem less creepily paternalistic and more lovingly done in the service of someone he deeply cares about.
And while Miller is just the right age for the part, his portrayal of Knightley with quite a bit of youthful vitality and physicality makes Emma's attraction to a man 16 years older than her much more plausible, and dare I say, much less disturbing.
In fact he was 37 when the production was filmed, the exact same age as the character in the novel, which is why I don't understand the contention by some that he was too young for the part.
Miller excels at the humorous side of Mr. Knightley, indeed, even in scenes where he doesn't have many lines, his facial expressions are enough to make you laugh out loud.
Watch him closely during the first dinner party scene where Mr. Elton arrives late, and the scene where Miss Bates comes to Hartfield to deliver the news that Mr.
Elton is getting married, to see what I mean. Overall this incarnation of Mr. Knightley is the best yet, in my opinion.
Infinitely preferable to the reserved and almost cold Mr. Knightley played by Mark Strong in the adaptation, and even a bit better than the very capable and attractive Jeremy Northam in the adaptation.
There's great chemistry between Miller and Garai, and their verbal sparring is exhilarating. On the one hand it's comical because they both so clearly feel that they are the expert on everything, and also a bit sexy by way of the aforementioned chemistry and because this was surely what made for flirtation between clever people in the Regency period.
Every zinger they throw at each other is foreplay. Weston, Robert Bathurst as the amiable Mr. In particular, Dan Fredenburgh as John Knightley was quite enjoyable even though he has very few scenes.
He plays Mr. Knightley's slightly less agreeable brother to great comic effect, and yet gives the suggestion by his mannerisms and sense of humor that he and Miller's Mr.
Knightley really are related. You actually feel that these are two characters who might have grown up in the same household.
Whether this was by design or purely a happy accident is unclear, but it's enjoyable nonetheless.
Overall, a very fine adaptation, not to be missed among devotees of Austen or lovers of period dramas. See all reviews. Top reviews from other countries.
Miller is its winning ingredient. Sie kommen in einem kleinen Cottage in Devonshire unter. Elinor verliebt sich prompt in den höflichen und netten Mann.
In Devonshire allerdings erfährt sie, dass dieser bereits verlobt ist. Marianne unterdessen vergnügt sich mit dem leichtlebigen John Willoughby, obwohl ihr Glück eigentlich zum Greifen nah ist.
Ist die wahre Liebe den Schwestern verbaut? Solcherartgesellschaftlich beschädigt, arbeitet Tess nach dem Tod ihres Babys alseinfache Milchmagd, als sie die Aufmerksamkeit eines weiteren, netterenGentlemans weckt.
Doch wie wird dieser auf ihre Vergangenheit reagieren? Sie müssen angemeldet sein, um die vollständigen Folgen anzeigen oder herunterladen zu können.
Skip to content [Ganzer-Film] Kino. Specials 4 Folge. Staffel 1. Staffel 1 4 Folge. Emma
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